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| George Martin
Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think. I was asked to do score by the Director, who was a charming Canadian, a really nice guy, George Dunning was his name. He's dead now, unfortunately. It sounds all very sort of technical, but in fact it was very much a kind of bootlace affair. I mean, in the Abbey Road in those days was a fairly primitive place by today's standards. Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really. What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness. |
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